November 18, 2004

Mary Kim - Exhibition at MONA

Mary Kim, Oblique Structure: Odradek Tower. Drawings and Models

Detroit' Museum of New Art, November 13 - December 18, 2004

Mary Kim, a Cranbrook graduate and instructor at the College for Creative Studies, takes center stage at MONA with her colorful geometric towers, some of steel and some of wood. Simple yet complex, her painted pieces change as you move around the gallery, revealing hidden negative spaces and subtle shifts in color that are engaging.

7 N. Saginaw St.
Pontiac, Michigan 48342

Young Artists Exhibition at MONA in Detroit, Michigan

Museum of New Art, Pontiac, Michigan

The Museum of New Art's (MONA) new show reveals more than meets the eye. Head to the museum's Pontiac complex to see "The Next Big Thing", featuring new work by young artists, working in all disciplines.

Some standouts include Cynthia Randolph's studies of time and timing depicted in a series of digital photographs. One chronicles one day of urine flushing down toilet bowls, resulting in a grid of colors and gradations in light that don't look anything like what they are. Another work discovers the beauty of a surgical mask, light and disposable but able to protect from disease. The artist previous exhibition includes two National Scholastic Exhibit at Corcoran Gallery of Art, Washingthon, DC, in 1992 and 1994, A Sculpture Show at the University of Wisconsin-Madison (1998) and two exhibits at Melting Point Gallery, San Francisco, California in 2001 and 2003.

Roland Lusk has created a room installation that takes you into a verdant yet somewhat sickly forest. Leaves of green fabric are suspended from the ceiling and stuck on the walls along with painted white tree fungus and antlers. The walls are papered in an oversized digital print - a cowhide tinted grass-green.

Michelle Hinebrook creates highly textured and veiled paintings – some pure abstractions, others with hidden figures – on tiles covered with netting culled from produce bags found on fruits and vegetables.

Other artists' include Kelly Rosebrock who has captured "fingerprints" of individual cell phones in her sparse, colorful photographs; Narine Kchikian, who curated the show, has created a minimalist room installation where illusions come into play; Georgia Vandewater, who creates paintings in vinyl that are variations on Da Vinci's "Circle of Man"; the artist Unholy Erection has created a funhouse of gender coding in his installation of photos and video; and Gabriel Hillebrand whose work in the Annex on the first floor combines grids, string  and books into a playful sculpture.

November 13 - December 18, 2004

7 N. Saginaw St.
Pontiac, Michigan 48342

November 17, 2004

Catherine Yass at Alison Jacques Gallery, London

Catherine Yass 
Alison Jacques Gallery, London
18 November - 23 December 2004

Alison Jacques Gallery presents a new film and series of four photographs on light boxes by Catherine Yass. Over the last year, Yass has been filming and photographing the Israel/Palestine separation wall from Israeli-controlled areas.

The resulting film entitled Wall, will be projected across the entire width of the gallery. Using a widescreen film format, Catherine Yass has concentrated on the physicality of the wall as it winds through communities and stretches across the landscape. The footage is structured in separate sequences, corresponding to recently constructed sections of the wall in Baqa, Qalqilya and Jerusalem.

Catherine Yass has developed a distinctive language which conveys her own personal response. As with her previous film Descent, for which she was nominated for the Turner Prize at Tate Britain (2002),  the single viewpoint and insistent camera movement are at once subjective and mechanical . The wall almost fills the frame, so buildings and minarets are only just visible behind it. The restricted viewpoint of the camera re-enacts the limited view imposed by the wall, and reflects the inability to see the other side. As well as representing a physical structure, the film shows the wall as, literally, a concrete manifestation of psychological barriers.

The photographs are on light boxes and underlaid with a blue negative, which gives the wall the quality of a mirage hovering somewhere in the imagination. In the areas where the wall is still under construction, building blocks lying in the rubble take on an eerie sense of ruin, as though they are part of an archeological site. The concrete blocks of the wall bear a resemblance to modernist architecture and sculpture, only here it is the wall which imposes the grid and brings modernism back to contemporary experience in a form where aesthetics and politics become indissoluble.

Catherine Yass was born in London (1963) and graduated with an MA from Goldsmiths College (1990). In 2002, Catherine Yass was nominated for the Turner Prize at Tate Britain. Since then, Yass has collaborated with Merce Cunningham on his world tour of Split Sides, which premiered at the Brooklyn Academy, New York (2003) and toured to Paris and London (The Barbican, October 5-9, 2004). Forthcoming projects include a solo show at the Herzilya Museum, Tel Aviv and participation in WOW at the Henry Art Gallery, Seattle and Expo Tokyo, Japan (2005). Catherine Yass is represented in many public collections including The British Council, Tate, and The Jewish Museum, New York.

4 Clifford Sreet, London W1X 1RB

November 3, 2004

Jona Frank: High School photographs exhibition at Foley Gallery, New York

Jona Frank:  High School Foley Gallery, New York September 23 -­ November 27, 2004

MICHAEL FOLEY opens Foley Gallery this fall after 15 years of working with notable photography galleries including Fraenkel Gallery, Howard Greenberg Gallery and Yancey Richardson Gallery.  He is on the faculty of the International Center of Photography, New School University and the School of Visual Arts where he teaches and lectures on issues in contemporary photography.

In the spirit of photographer August Sander, JONA FRANK sets out to record the social dynamic of the American public high school by examining the adolescent social experience.  For three years, Jona Frank visited high schools across the United States, exploring the layered cliques, stereotypes and personalities that grow during the social experiment of high school.

Innocent, revealing and fresh, this series of color portraits from High School capture a turbulent period of experimentation and role-playing many teenagers confront as they attempt to find their place in the social landscape.  The range of these expressive uniforms that Frank uncovers, from the Cheerleader to the Chess Clubber to the X-File Fan serve as a microcosm for a society at large.

Through her photographs we discover a revealing search for identity and the battle with conformity.

Jona Frank’s portraits can evoke a sense of the familiar, connecting the viewer with the universal high school experience while evincing the freshness and individuality of today’s teenager.  The result is a perpetual, timeless and oddly recognizable return to high school.

Coinciding with her exhibition, Arenas Street Publishing will release the book of JONA FRANK’s photographs HIGH SCHOOL with a special forward by Gus Van Sant.