Wanafoto, Art & Imaging Blogzine - Webzine


Expositions, Art contemporain, Art moderne, Photographie, Design, Patrimoine, Architecture, Art vidéo, Films, l'image dans toutes ses dimensions, Publications

Art Exhibitions, Art Fairs, Visual Arts, Photography, Graphic Arts, Design, Video Art, Architecture, Films, Photo / Imaging Equipments, Publications


November 30, 2006

3 exhibitions about Robert Moses in NYC

 

Robert Moses and the Modern City

New York’s master builder, Robert Moses (1888-1981), will be the subject of concurrent exhibitions on view at the Museum of the City of New York (1220 Fifth Avenue at 103rd Street), the Queens Museum of Art (New York City Building, Flushing Meadows Corona Park), and the Miriam and Ira D. Wallach Art Gallery at Columbia University (8th floor, Schermerhorn Hall). Collectively titled Robert Moses and the Modern City, the exhibitions will document the ambitious projects that Robert Moses spearheaded and examine his legacy within the context of contemporary New York. Never-before-exhibited models (or many seen for the first time in decades), historic objects, plans, and vintage and new photography will be on view at the three venues to shed light on Moses’s vision and achievements.  More detailed information about each of the exhibitions can be found in the pages following, as well as information about the funders and supporters who made the exhibitions possible.

A highlight of Robert Moses and the Modern City, on view at all three venues, will be never-before-exhibited, large-scale color photographs (some especially commissioned for the exhibitions) by acclaimed photographer Andrew Moore, artist-in-residence at Dartmouth College. These monumental photographs will show how Moses projects have been absorbed into the fabric of the city.

A publication, Robert Moses and the Modern City: The Transformation of New York (W.W. Norton), accompanies the exhibitions and will be available in the shops at each venue.  It is co-edited by the exhibitions’ curator, Hilary Ballon, an architectural historian and professor of art history and archaeology at Columbia University, and Kenneth T. Jackson, Jacques Barzun Professor in History and the Social Sciences at Columbia University.

Robert Moses and the Modern City at Each of the Three Venues

The exhibitions at each venue will focus on different aspects of Moses’s legendary career and achievements.  A brief description of each follows.

Robert Moses and the Modern City: Remaking the Metropolis, opening on February 1, 2007 at the Museum of the City of New York, will explore three main areas of the Moses administration:
- Making New York City accessible by equipping it with modern roads to and from the city center and throughout the region, including the Henry Hudson Parkway and the Cross Bronx Expressway
- Making New York City monumental—a world capital—by developing magnetic institutions, including Lincoln Center for the Performing Arts and the United Nations
- Making New York City livable and desirable—a hometown—by improving parks, including the expansion of Riverside Park, East River Park, and the transformation of Central Park.

On view will be Andrew Moore photographs of Riverside Park and the Cross Bronx Expressway, among others. A large-scale model (269” x 86”) designed by the I. M. Pei-based firm of Webb & Knapp, not seen since the 1950s, showing Moses’s proposal for the entire Midtown Expressway (presenting the route and surrounding area in remarkable detail) and never-before-exhibited archival materials related to Lincoln Center (drawn from its own archives, the Rockefeller Archives, and Columbia University) are among the highlights on view at the Museum of the City of New York.  The exhibition will also address Moses’s defeats in the face of public protests and the rise of a new approach to urbanism based on neighborhood values and community control. The defeat of Moses’s projects to extend Fifth Avenue through Washington Square Park and to build the Lower Manhattan Expressway marked the end of the Moses era.  Proposals for the Expressway will be on view.

Robert Moses and the Modern City: The Road to Recreation, on view at the Queens Museum of Art from January 28 through May 27, 2007, will document Moses’s massive 1930s expansion of the public realm and its connection to a matchless network of parkways in anticipation of the new automobility. Moses envisioned, planned, and built Flushing Meadow Park (where the Queens Museum of Art is located), as well as the surrounding highways.  Envisioning New York as a “water city,” Moses reclaimed the shorefront for recreation—Orchard Beach and Jacob Riis Park are crowning examples—built monumental, outdoor swimming pools that remain pinnacles of public architecture, and built parkways conceived as “ribbon parks” with extensive landscaping, stone-arched bridges, playgrounds, and bike paths. On view will be Andrew Moore photographs of Astoria Pool, Sunset Park Pool, and Orchard Beach, among others; a large-scale model (made by Moses and not exhibited since the 1960s) of the proposed bridge across Long Island Sound; vintage (1930s) films made by the Department of Parks showing huge crowds and integrated swimming at McCarren and Highbridge Pools; and more.  A highlight of the exhibition at the Queens Museum of Art will be the reopening of the Panorama of the City of New York, the world’s largest architectural scale model, made by Moses for the 1964-65 World’s Fair. The historic piece, measuring almost 10,000 sq. ft. and depicting the city’s 895,000 structures, was closed during the fall and winter of 2006 while undergoing a complete multimedia and lighting upgrade.

Robert Moses and the Modern City: Slum Clearance and the Superblock Solution, opening on January 30, 2007 at Columbia University’s Miriam and Ira D. Wallach Art Gallery will present for the first time the full scope of Moses’s 1950s urban renewal program, which became a national model. His strategy involved recapturing the middle class by building affordable housing and enhancing the city's brainpower by providing land to universities for campus expansion (New York University, Fordham, the Juilliard School, Long Island University, and Pratt Institute).  His program featured the biggest expansion of union-backed cooperatives in the city’s history—eight in all—including the East River Houses at Corlears Hook, Chatham Green, Chatham Towers, Penn Station South, and Morningside Gardens. Here, the exhibition will also spotlight I. M. Pei’s and William Zeckendorf’s roles in the urban renewal process; Pei designed Kips Bay Plaza and the NYU Silver Towers, and Zeckendorf built Kips Bay Plaza as well as Park West Village and Lincoln Towers.  On view will be brochures from the Slum Clearance Committee that illustrated the redevelopment proposal, made the case for clearing a neighborhood, and explained how relocation would be handled; renderings of I.M. Pei’s renewal work in the early 1960s; and historic photographs and documents that show the process of site clearance and community protests against renewal.

Funding Credits

The exhibition at the Museum of the City of New York is made possible by Susan and Roger Hertog, the Lily Auchincloss Foundation, Mr. Steven Roth, Studley Inc., The Durst Organization, Deban and Tom Flexner, Mr. David Rockefeller, the General Contractors Association of New York Inc., the Richard Ravitch Foundation, the New York Building Congress, and the New York Council for the Humanities, a state affiliate of the National Endowment for the Humanities. Any views, findings, conclusions or recommendations expressed in the exhibition do not necessarily represent those of the National Endowment for the Humanities.

At the Queens Museum of Art, funding is provided by the National Endowment for the Arts, the New York State Council on the Arts, Furthermore: a program of the J. M. Kaplan Fund, and the Graham Foundation for Advanced Studies in the Fine Arts.

Updated 07-2010

November 25, 2006

Raymond Hains d’une rive à l’autre

Art Contemporain > Evénement > Hommage à Raymond Hains (1926 – 2005)

Merci Raymond de Bertrand Lavier
  Bertrand Lavier, « Merci Raymond »   Courtesy AARH

Vendredi 25 octobre 2005, l’artiste Raymond Hains (né en 1926) s’absentait définitivement.
A l’initiative de l’Association des Amis de Raymond Hains (A.A.R.H.), douze galeries dont il était proche, le Passage de Retz et l’Ecole des Beaux-Arts (ENSBA) font vivre Raymond Hains le long d’un parcours parisien.
Le mercredi 29 novembre, à partir de 13 h, de Montmartre à Saint-Germain en passant par le Marais :

« Merci Raymond ! » 


Programme du parcours du 29 novembre 2006
13h00 : Brunch à la Galerie W
44, rue Lepic - 75018 Paris
www.galeriew.com
Pinault à volonté pour Raymond Hains
15h00 : Café au Passage de Retz
9, rue Charlot - 75003 Paris
www.passagederetz.com
Café au Passage de Retz
15h30 : Galerie Martine et Thibault de la Châtre
4, rue de Saintonge - 75003 Paris
www.lachatregalerie.com
Paris - La Châtre
16h00 : Galerie Véronique Smagghe
10, rue de Saintonge - 75003 Paris
décollage en Italie
16h30 : Galerie Denise René - espace marais
22, rue Charlot - 75003 Paris
www.deniserene.com
Les cadres du jeu
17h00 : Galerie Daniel Templon
30, rue Beaubourg - 75003 Paris
www.danieltemplon.com
De la mère Mac Miche au macintoshage
17h30 : Galerie du jour agnès b.
44, rue Quincampoix - 75004 Paris
www.galeriedujour.com
Et vive Raymond !
18h00 : Tea time chez Patricia Dorfmann
61, rue de la Verrerie - 75004 Paris
www.patriciadorfmann.com
Tea time et biscuits LU
18h30 : Galerie Denise René - rive gauche
196, boulevard Saint-Germain - 75007 Paris
www.deniserene.com
Les cadres du jeu
19h00 : Galerie Lara Vincy
47, rue de Seine - 75006 Paris
www.lara-vincy.com
Un Campari pour Raymond
19h30 : Galerie G.-P. & N. Vallois
36, rue de Seine - 75006 Paris
www.galerie-vallois.com
Hains Tomato Ketchup
20h00 : Galerie Serge Aboukrat
7, place Furstemberg - 75006 Paris
Entre huile et moi
20h30 : Galerie Marion Meyer
15, rue Guénégaud - 75006 Paris
www.galerie-marion-meyer.com
La palissade et la cornemuse
21h00 : Jousse entreprise
18, rue de Seine - 75006 Paris
www.jousse-entreprise.com
Patrimoine joussien
21h30 : Cocktail/buffet à l’ENSBA
14, rue Bonaparte - 75006 Paris
Crêpes bretonnes, punch. Apportez votre Tokay

AARH – ASSOCIATION DES AMIS DE RAYMOND HAINS

Créée en novembre 2005, L’Association des Amis de Raymond Hains est un lien moral entre ses amis et admirateurs de tous pays. Elle favorise la diffusion, le rayonnement et la pérennité de l’oeuvre de Raymond Hains, au travers d’expositions et d’événements « hainsiens ».
Président d’honneur : Jacques Villeglé.
Présidente : Leïla Voight. Vice-président : Bernard Blistène.
Trésorier : François Trèves. Secrétaire : Patrick Alton. Secrétaire adjoint : Yves Jammet.
Administrateurs : Marc Dachy, Michele Favali, Eric Fabre, Cyrille Putman.

AARH
7, rue de la Chaise
75007 Paris

November 22, 2006

Imprimantes couleur A3 OKI Serie C8600

OKI Printing Solutions, filiale du groupe Oki Electric dédiée aux solutions d’impression, annonce aujourd’hui une nouvelle imprimante couleur A3, unique sur son segment de produits.
Avec un encombrement réduit de moitié comparativement aux autres imprimantes A3 couleur du marché, la C8600 est par ailleurs disponible à un coût extrêmement compétitif. Cette nouvelle série (3 modèles sont disponibles : C8600n, C8600dn et C8600cdtn), permet à toute entreprise d’aborder le A3 couleur, jusque-là réservé à une minorité et pour des volumes d’impression importants.
« Gain d’espace, niveau sonore réduit, des possibilités très larges dans les typse de documents à imprimer, la C8600 réunit l’ensemble des demandes actuelles des entreprises », commente Gérard Bouhanna, Directeur Commercial & Marketing France. « Elle constitue ainsi une solution idéale pour les entreprises souhaitant se doter d’une solution A3 couleur, qui plus est à moindre coût ».
Issue des travaux de R&D de OKI, la C8600 intègre l’ensemble des technologies conçues et développées par le groupe afin d’optimiser la qualité de ses solutions :
  • la technologie LED, permettant de proposer une qualité unique des couleurs – intensité, profondeur, …
  • la technologie monopasse, qui grâce à un seul passage du papier, délivre une vitesse d’impression accrue,
  • les toners microfins, offrant une impression de qualité Haute Définition, même sur du papier ordinaire,
  • enfin, le système de gestion d’impression, permettant de gérer les impressions de plusieurs utilisateurs en même temps.

Avec cette première imprimante compacte A3 couleur sur le marché, nous ouvrons de nouveaux horizons aux entreprises, et leur permettons de ne plus se soucier de leurs contraintes de budget ou d’espace. Ils doivent à présent uniquement se préoccuper de leurs besoins : A4 et/ou A3, monochrome et/ou couleur, … Ce nouvel élargissement de notre gamme leur offre davantage de liberté et de possibilités dans leur choix, et nous comptons continuer sur cette lancée, avec notamment de nouvelles solutions prévues dès 2007”, conclut Gérard Bouhanna.

Principales caractéristiques de la C8600

  • Modèles disponibles : C8600n, C8600dn et C8600cdtn.
  • Gain de place : l’imprimante couleur A3 la plus compacte du marché.
  • Coût réduit : moitié moins chère que les imprimantes A3 couleur du marché, peu onéreuse au coût à la page - le toner et les tambours étant séparés, les coûts d’impression sont plus compétitifs.
  • Supports d’impression : un large éventail de supports d’impression A3-A6 et jusqu’à de 200 g/m², une capacité papier jusqu’à 930 feuilles, avec possibilité de bacs complémentaires en option.
  • Productivité accrue : 26 pages/minute en impression couleur, 32 pages/minute en monochrome ; moins de 10 secondes pour la sortie de la 1ère page.
  • Qualité d’impression : la Technologie multi-niveaux ProQ2400 et le toner Haute Définition offrant une qualité d’impression optimale : une qualité du détail, une plus grande intensité de la couleur, un grain réduit et un effet satiné.
  • Flexibilité : intervention humaine réduite, grâce à la technologie monopasse simplifiant le circuit du papier, …
  • Gestion et contrôle : sécurisation de la machine par des systèmes bloquant l’accès à l’intérieur de la machine par tout le monde - idéal pour les écoles et les bibliothèques par exemple.
  • Facilités d’utilisation : Template Manager 2006 aide les utilisateurs à concevoir et imprimer facilement des documents de formats standards ou atypiques ; le panneau de commande intuitif.
  • La gamme C8600 est disponible à partir de 1999 € HT.
www.oki.fr

Oki Printing Solutions - Communiqué de presse - 22.11.2006

November 21, 2006

Mondi Packaging Chooses Dotrix Digital Press from Agfa

Agfa Graphics has concluded a deal with Mondi Packaging Flexibles R&D Centre GmbH of Korneuburg, Austria. Mondi Packaging Flexibles has chosen Agfa Graphics’ :Dotrix technology for its investment in a digital printing press for packaging applications. The press was shown at Agfa’s stand at Emballage to Mondi’s business partners, customers and print buyers and meets their digital printing requirements.
As we met with our customers at the Emballage Expo and showed them technologies for digital printing, it became very clear that Agfa’s :Dotrix meets our requirements,” said Christian Kolarik, managing director Consumer Flexibles, Mondi Packaging Flexibles. “The :Dotrix will support us to better meet our strategy to implement fast and efficient development processes. With the :Dotrix we can quickly and cost-effectively produce prototypes or small printing series of flexible packaging solutions on a wide variety of substrates. This will let us visualise our new packaging solutions and innovative features for our customers.”
About :Dotrix
:Dotrix is Agfa’s digital inkjet press for package, label, and point-of-purchase materials printing. The :Dotrix press uses Agfa's :Agorix ink and is driven by Agfa’s :ApogeeX for packaging production software.
Agfa Graphics - Press release - 21.11.2006

Mondi Packaging choisit la presse Agfa Dotrix

Agfa Graphics a conclu un contrat avec Mondi Packaging Flexibles R&D Centre GmbH de Korneuburg, Autriche. Le choix de Mondi Packaging Flexibles s’est porté sur la technologie :Dotrix d’Agfa Graphics dans le cadre de son programme d’investissement dans une solution numérique d’impression d’emballages. C’est sur le stand d’Agfa du salon Emballage que les partenaires commerciaux de Mondi ainsi que ses clients et ses donneurs d’ordre ont bénéficié d’une présentation de la presse, qui satisfait aux exigences en matière d’impression numérique.
« Lorsque nous avons rencontré nos clients au salon Emballage et que nous leur avons présenté les technologies d’impression numérique, le système :Dotrix d’Agfa s’est imposé comme une évidence », explique Christian Kolarik, managing director Consumer Flexibles, Mondi packaging Flexibles. « Le système :Dotrix nous permettra une meilleure mise en œuvre de notre stratégie d’implémentation de processus de développement rapides et efficaces. La presse :Dotrix nous permet de produire de façon rapide et rentable des prototypes ou des solutions d’emballage flexible petit format compatibles avec une grande variété de supports. Elle nous permettra de visualiser nos nouvelles solutions d’emballage ainsi que des fonctionnalités innovantes pour nos clients. »
A propos de :Dotrix
:Dotrix, la presse jet d’encre numérique d’Agfa, est une solution dédiée à l’impression d’emballages, de matériel de P.L.V. et d’étiquettes. La presse :Dotrix utilise l’encre :Agorix d’Agfa et est pilotée par :ApogeeX, le logiciel de production d’emballages d’Agfa.
Agfa Graphics - Communiqué de presse - 21.11.2006

November 20, 2006

Imageworks Showcased by ACS Siggraph

Top names in digital production shared the insiders' perspective during "The Four Pipelines of Sony Pictures Imageworks," a special presentation by Los Angeles Professional Chapter of ACM SIGGRAPH. The November 14 event included sneak peaks at the latest amazing examples from all four of Imageworks' areas of expertise along with other clips illustrating points covered by the far-ranging discussion. Tim Sarnoff, President of Sony Pictures Imageworks, kicked off the event, welcoming SIGGRAPH members and other guests with an overview of Sony Pictures Imageworks. He then introduced senior creative director Ken Ralston to moderate the proceedings. Senior visual effects supervisors Rich Hoover and Kevin Mack were on hand to explain their unique creative approach to live action VFX. Rich spoke about his work on SUPERMAN RETURNS, in particular the multifaceted decisions behind the spectacular shuttle disaster scene. Kevin gave a breakdown of how Nicolas Cage was transformed into GHOST RIDER, the skeletal urban warrior shrouded in hellfire. Software architect Parag Havaldar used MONSTER HOUSE examples to show how he bases his work on scientific studies of the physical manifestations of human emotion, which he then translates into precise data manipulation. Rob Engle, Digital Effects Supervisor, discussed the process of producing 3D stereo versions of films and how that work integrates with some of the complexities that the performance capture group and other teams face every day. Visual effects supervisor Doug Ikeler addressed the unique perspective Sony Pictures Animation brings to its animation pipeline. Doug used OPEN SEASON to illustrate the required intricate attention to detail, particularly when it comes to water, fur and recent advances in background animation. Rob Bredow, digital effects supervisor, took a break from working on SURF'S UP to screen a teaser that demonstrated his discussion of the imaginative techniques being used on that upcoming feature film. The event was hosted by Sony Pictures Imageworks. Participants enjoyed a casual barbeque on the facilities' lawn before strolling to the nearby Pacific Theater to enjoy the presentation.

November 17, 2006

Agfa Graphics at Graph Expo 2006

vf
Agfa Graphics announced today that its “New Experience” exhibit at Graph Expo 2006, highlighted by a series of informative and practical demonstrations, consultation sessions and other exclusive in-booth events, was very popular with show attendees who preferred Agfa’s alternative approach to trade shows. By focusing the efforts on learning opportunities, visitors to Agfa’s booth were able to benefit from informational seminars, executive briefings and user panels tailored to their specific needs.
The events, which featured Agfa customers and technology experts, focused on a variety of topics such as Demystifying JDF and Workflow Tips & Tricks, Workflow Automation and Collaboration. Winthrop Graphic Solutions of Boston, MA, made a presentation to attendees of the “:Delano Customer Panel.” For almost a year, Winthrop has been using :Delano, Agfa’s web-based production management solution, after purchasing the system at Print in 2005.
Using :Delano we can solidify our relationship with our customers, bringing new levels of automation in the workflow, both for us and them. It’s what differentiates us in a very competitive marketplace,” said John Orrall, principal, Winthrop Graphic Solutions. “Agfa's concept for the sessions at Graph Expo matches Agfa's business model. Agfa understands their customers and their issues and works very closely with them in order to help them be successful," said Kevin Kervick, owner, Bassette Company, a commercial printer based in Springfield, MA.
We were able to optimize the time that new and potential customers spent at our booth while they gained insight on how to efficiently put their investments in Agfa products and technologies to work. With the sessions, we were also able to offer advice about the various ways they could advance their businesses,” said Agfa’s Susan Wittner, director of marketing, North America. “Our in-house experts and consultants made suggestions and solutions to help customers achieve short- and long-term goals and informed them about the various tools that could help them improve their entire Graphic Enterprise.”
The booth featured 30-minute demonstrations shown at computer stations throughout the booth covering business-oriented topics such as MIS connectivity and integrated proofing. In addition, there were special areas set up for Expert Services consultations, thermal, violet and chemistry-free technology demonstrations, and :ApogeeX/:Delano demonstrations. There were also demonstrations of Agfa’s patented ThermoFuse™ technology and CtP experts on hand answering questions, and inkjet technology experts reviewing Agfa’s various options including :Anapurna UV printers and :Dotrix digital presses.
Agfa Graphics - Press release - 17.11.2006

November 16, 2006

Nikon UK is pleased to announce the Speedlight SB-400

Nikon UK is pleased to announce the introduction of the Nikon SB-400, an external flash unit that boasts i-TTL flash operation in a compact, lightweight body at an affordable price.
The SB-400 gives photographers the opportunity to enjoy brighter and more natural lighting for images taken using a flash. It is designed to suit entry-level digital SLR users yet it is also suitable for more experienced users. Those who have a camera within the D2 series will also benefit from the convenient portable flash unit. The SB-400 offers a guide number of 30 (ISO 200, m), and effortless bounce flash function and is controlled in i-TTL and the D40’s M (manual) mode.
Its flash head can be tilted in 4 steps, horizontal, 60, 75 and 90 degrees, and has a flash shooting distance range from 0.6m to 20m (depending on the ISO setting). Slow Sync, Red-eye Reduction and other flash modes can also be set on the camera body.
Note: Specifications, design, product name, standard accessories and release schedule may differ by country or area.
Sales Release Date: January 2007
RRP: £149.99 / €229.99
Nikon UK - Press Release - 16.11.2006

Nikon AF-S DX Zoom Nikkor 18-55mm f/3.5-5.6G ED II lens

Nikon UK is pleased to announce the new AF-S DX Zoom Nikkor 18-55mm f/3.5-5.6G ED II lens which has been specially developed to provide a compact DX lens equipped with Nikon's compact SWM (Silent Wave Motor).

This new edition is an ideal companion for Nikon's newest, smallest and most affordably-priced digital SLR, the D40. The 18-55mm Zoom-Nikkor lens will be included with D40 digital SLR kits. Incorporating cutting-edge Nikon optical technologies such as ED glass and aspherical lens elements, the lens will help customers enjoy superior image quality, when combined with the D40.

The lens offers users the popular 3x 18-55mm focal length range, enabling users to take everything from tight portraits to wide-angle landscapes. Due to the compact SWM, the AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II lens offers fast, quiet and smooth autofocus performance.

To ensure image quality, the AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II features an ED glass element which minimizes chromatic aberration, and a hybrid aspherical lens element which reduces astigmatism and other forms of distortion while ensuring high resolution and contrast. External lens design has also been improved for smoother zoom operability.

Sales release schedule: Nikon Corporation will launch the AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II worldwide from December 2006. RRP: £149.99 / €229.99

Note: This lens is designed exclusively for use with Nikon DX format digital SLR cameras and is not compatible with 35mm [135] or IX240 format film cameras.

Specifications, design, product name, standard accessories, and release schedule may differ by country or area.

Nikon UK - Press Release - 16.11.2006

Nikon Digital SLR Camera D40 Specifications

Type of Camera: Single-lens reflex digital camera
Effective Pixels: 6.1 million
Image Sensor: RGB CCD, 23.7 x 15.6 mm; total pixels: 6.24 million, Nikon DX format
Image Size (pixels): 3,008 x 2,000 [L], 2,256 x 1,496 [M], 1,504 x 1,000 [S]
ISO Sensitivity: 200 to 1,600 in steps of 1 EV with additional setting one step over 1600
Storage Media: SD memory card, SDHC compliant
Storage System: Compressed NEF (RAW): 12-bit compression, JPEG: JPEG baseline compliant
File System: Exif 2.21, Compliant DCF 2.0 and DPOF
White Balance: Auto (TTL white-balance with 420-pixel RGB sensor), six manual modes with fine-tuning and preset white balance
LCD Monitor: 2.5-in., 230,000-dot, low-temperature polysilicon TFT LCD with brightness adjustment
Playback Function: 1 frame; Thumbnail (4 or 9 segments); Magnifying playback; Slide show; Histogram indication; Highlight point display; Auto image rotation
Delete Function: Card format, All frames delete, Selected frames delete
Video Output: NTSC or PAL
Interface: USB 2.0 (High-speed): Mass Storage and PTP selectable
Text Input: Up to 36 characters of alphanumeric text input available with LCD monitor and multi selector; stored in Exif header
Compatible Lenses*1: Nikon F mount with AF coupling and AF contacts Type G or D AF Nikkor 1) AF-S, AF-I: All functions supported,
2) Other Type G or D AF Nikkor: All functions supported except autofocus,
3) PC Micro-Nikkor 85mm f/2.8D: Can only be used in mode M; all other functions supported except autofocus,
4) Other AF Nikkor*2/AI-P Nikkor: All functions supported except autofocus and 3D Colour Matrix Metering II,
5): Non-CPU: Can be used in mode M, but exposure meter does not function; electronic range finder can be used if maximum aperture is f/5.6 or faster
*1. IX Nikkor lenses can not be used
*2. Excluding lenses for F3AF
Picture Angle: Equivalent in 35mm [135] format is approx. 1.5 times lens focal length
Viewfinder: Fixed-eyelevel penta-Dach mirror type; built-in diopter adjustment (-1.7 to +0.5m-1)
Eyepoint: 18mm (-1.0 m-1)
Focusing Screen: Type B BriteView Clear Matte screen Mark V with superimposed focus brackets
Viewfinder Frame: Coverage Approx. 95% (vertical/horizontal)
Viewfinder Magnification: Approx. 0.8x with 50mm lens at infinity; -1.0 m-1
Viewfinder Information: Focus indications, AE/FV lock indicator, Shutter speed, Aperture value, Exposure/Exposure compensation indicator, Exposure mode, Flash output level compensation, Exposure compensation, Number of remaining exposures, Flash-ready indicator
Autofocus: TTL phase detection by Nikon Multi-CAM530 autofocus module with AF-assist (range approximately 0.5-3.0m/1ft. 8in.-9ft. 10in.); Detection range: -1 to +19 EV (ISO 100 at 20°C/68°F)
Lens Servo: 1) Autofocus (AF): Instant single-servo AF (AF-S); continuous servo AF (AF-C); auto AF-S/AF-C selection (AF-A); predictive focus tracking automatically activated according to subject status, 2) Manual focus (M)
Focus Area: Can be selected from 3 focus areas
AF Area: Modes 1) Single Area AF, 2) Dynamic Area AF, 3) Dynamic Area AF with Closest Subject Priority
Focus Lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button
Exposure Metering System TTL full-aperture exposure metering system 1) 3D Colour Matrix Metering II (type G and D lenses); Colour Matrix Metering II (other CPU lenses); metering performed by 420-segment RGB sensor 2) Centre-weighted: Weight of 75% given to 8mm circle in centre of frame 3) Spot: Meters 3.5mm circle (about 2.5% of frame) centred on active focus area
Exposure Metering Range 1) 0 to 20 EV (3D Colour Matrix or centre-weighted metering), 2) 2 to 20 EV (spot metering)
Exposure Modes Digital Vari-program (Auto, Auto [Flash Off], Portrait, Landscape, Child, Sports, Close Up, Night Portrait), Programmed Auto (P) with flexible program; Shutter-Priority Auto (S); Aperture Priority Auto (A); Manual (M) Exposure Compensation ±5 EV in increments of 1/3 EV
Exposure Lock Exposure locked at detected value with AE-L/AF-L button Shooting Modes 1) Single frame shooting mode, 2) Continuous shooting mode: approx. 2.5 frames per second*, 3) Self-timer mode, 4) Delayed remote mode: 2 s. delay, 5) Quick-response remote mode *Approx. 1.7 frames per second with Noise reduction turned on and approx. 1 frame per second with ISO HI 1
Shutter Combined mechanical and CCD electronic shutter, 30 to 1/4000 s. in steps of 1/3, bulb Sync Contact X-contact only; flash synchronization at up to 1/500 s.
Flash Control 1) TTL: TTL flash control by 420-segment RGB sensor. i-TTL balanced fill-flash for digital SLR and standard i-TTL fill-flash for digital SLR available when CPU lens is used with built-in flash, SB-800, SB-600, and SB-400, 2) Auto aperture: Available with SB-800 with CPU lens, 3) Non-TTL Auto: Available with Speedlights such as SB-800, 80DX, 28DX, 28, 27, and 22s , 4) Range-priority manual available with SB-800
Flash Sync Modes AUTO, Portrait, Child, Close Up: Auto, auto with red-eye reduction; fill-flash and red-eye reduction available with optional Speedlight Night portrait mode: Auto, auto slow sync, auto slow sync with red-eye reduction; slow sync and slow sync with red-eye reduction available with optional Speedlight Landscape, Sport mode: Fill-flash and red-eye reduction available with optional Speedlight P, A: Fill flash, rear-curtain with slow sync, slow sync, slow sync with red-eye reduction, red-eye reduction S, M: Fill flash, rear-curtain sync, red-eye reduction
Built-in Flash AUTO, Portrait, Child, Close Up, Night Portrait mode: Auto flash with auto pop-up P/S/A/M: Manual pop-up with button release Guide number (ISO 200/ISO 100, m [ft.]): approx.17 [55]/12 [39] (manual full 18 [59]/13 [42])
Flash Compensation -3 to +1 EV in increments of 1/3 EV
Accessory Shoe Standard ISO hot-shoe contact with sync, signal, and ground contacts and safety lock
Self-timer Electronically controlled timer with duration of 2, 5, 10 or 20 s.
Remote Control Via Wireless Remote Control ML-L3 (optional)
Power Source One Rechargeable Li-ion Battery EN-EL9; charging voltage (MH-23 quick charger): 7.4V DC, AC Adapter EH-5 (available separately; requires optional AC Adapter Connector EP-5)
Tripod Socket 1/4 in. (ISO1222)
Body Colour Black (Silver version is also available depending on country or area.)
Dimensions (W x D x H) Approx. 126 x 64 x 94mm (5.0 x 2.5 x 3.7 in.)
Weight Approx. 475g (1lb. 1oz.) without battery, memory card or body cap
Supplied Accessories* Rechargeable Li-ion Battery EN-EL9, Quick Charger MH-23, USB Cable UC-E4, PictureProject, Rubber Eyecup DK-16, Camera Strap, Body Cap BF-1A, Eyepiece Cap DK-5, Accessory Shoe Cap BS-1
Optional Accessories Wireless Remote Control ML-L3, Capture NX, Camera Control Pro, AC Adapter Connector EP-5, AC Adapter EH-5, Video Cable EG-D100, Semi Soft-Case CF-DC1, Speedlight SB-800/600/Sb-400/R1C1
*Supplied accessories may differ depending on country or area.
Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. November 2006 ©2006 Nikon Corporation

Nikon D40 Digital DSRL Camera

Designed to bring the picture performance, excitement and experience of Nikon's digital SLR cameras to more customers than ever before, the D40 is an ultra-compact, lightweight 6.1-effective megapixel D-SLR that offers simplified new features, exceptional speed and a redesigned, visually-intuitive menu system that brings consumers a whole new level of simplicity in a digital SLR. The D40 also incorporates handling and performance advantages that eliminate the frustrations often associated with compact digital cameras, making it ideal for anyone who wants to capture spectacular digital pictures without complication.

"Digital SLR cameras have gained substantial interest among consumers looking for higher-quality pictures and faster handling response," said Edward Fasano, general manager for marketing, SLR System Products at Nikon Inc. "But perceived complexity and bulkiness of some models has discouraged some customers. With the D40, Nikon addresses these challenges with incredible ease of use, compactness and a remarkable range of features and technologies. Consumers can enjoy the satisfaction of Nikon digital SLR quality by simply pressing the shutter button and getting beautiful pictures with vibrant colors, stunning sharpness and outstanding detail. With the D40, even first-time digital SLR camera users will be thrilled with their results."
Outstanding Image Quality
The D40 features a high-resolution 6.1-effective megapixel Nikon DX Format CCD image sensor and a highly advanced Nikon Image Processing Engine. Combined, these features produce exceptional image detail with vivid, true-to-life colors.
The D40 combines sophisticated exposure automation with options for complete user control to help make it the ideal camera for anyone ready to explore their creative potential with photography. Using Nikon's exclusive 3D Color Matrix Metering II, the D40 assures accurate exposure control, even in difficult lighting conditions. Its frame-wide 420-pixel sensor instantly and automatically assesses and compares each scene's brightness, contrast and color with a built-in database of information from over 30,000 real-world lighting scenarios, before setting the accurate exposure. For those who want more control over their shots, alternative metering options, such as spot metering, center-weighted metering and exposure compensation, are also available.
Precise, Quick Response
One of the hallmarks of Nikon's digital SLR cameras is how fast they operate, not only when capturing images, but also when recording them to the camera's SD memory card. The D40 proudly carries this tradition forward; the camera powers up and is ready to shoot in only 0.18 seconds.
With minimal shutter lag time and the ability to shoot 2.5 frames per second, up to 100 consecutive shots (in JPEG Normal mode), the D40 is ready to capture priceless expressions or special moments perfectly. Images are instantly processed and rapidly recorded to the SD memory card. Bright, clear preview images are also displayed in an instant on the D40's 2.5-inch color LCD monitor.
The D40's three-area auto-focus system also adds to the camera's overall speed, delivering fast and precise focus under varying shooting conditions. Incorporating Nikon's advanced Multi-CAM 530 AF Sensor Module, the three-area AF system, with central cross-type sensor operation, adds effective new focusing options and ensures greater ability to capture that perfect shot.
Designed for Life as it Happens
The D40 brings the superior image quality of Nikon digital SLR photography to everyone. Its compact size and ideal ergonomics make it the digital SLR solution for pictures anytime, anywhere. Its bright and sharp viewfinder, with 0.8x magnification, ensures precise composition.
After shooting, share your new images, or check sharpness, exposure and focus on the D40's large 2.5-inch, 230,000-dot high-resolution color LCD monitor, which provides the ability to enlarge your shot up to 19 times. The operating menus have been carefully designed with color schemes and large fonts for quick, easy navigation through the camera's options. Also, the newly introduced assist images help you select the appropriate settings for many camera features by showing illustrative end-result images typical of that setting.
The D40's innovative information display can be shown in Classic format or with the new Graphic and Wallpaper formats for Digital Vari-Program modes and Program Auto, Shutter-priority Auto, Aperture-priority Auto and Manual (P/S/A/M) exposure modes.
The camera boasts refined ergonomics and design, born from Nikon's extensive experience designing successful high performance SLR cameras for more than 50 years. The D40's size, layout and operation of all controls are designed for maximum ease-of-use. The result is a compact, light SLR camera that is comfortable to handle.
Creativity at Your Finger Tips
For anyone just beginning to enjoy the added performance and versatility of digital SLR photography, creative shooting is as simple as rotating the D40's Digital Vari-Program mode dial. The camera has eight preconfigured program modes that optimize the camera's performance for specific shooting conditions, allowing photographers to take great pictures in challenging conditions that might otherwise be confusing or time-consuming. In Portrait mode, for example, the camera automatically optimizes the color, hue, and saturation levels to capture the most flattering skin tones, softens the focus of the background images to emphasize the face and applies a milder form of in-camera sharpening. The D40 includes a new Flash Off mode that shuts off the camera's flash and boosts its ISO, so users can easily take pictures in places where flash photography is not allowed, inappropriate, or when they prefer the look of natural light. Users can also select from other Digital-Vari Program modes including Auto, Portrait, Landscape, Close-Up, Sports, Night Landscape or Night Portrait. As users gain experience with the camera, the D40 offers advanced controls that offer greater creative control over the look and feel of their pictures.
D40 photographers will enjoy the camera's Image Optimize menu options that closely tailor results to the scene at hand, the intended use of an image or to the photographer's custom preference. Sharpness, tone (contrast), color, saturation and hue optimization are controlled by the user-selected choice of Normal, Softer, Vivid, More Vivid, Portrait, Custom and Black-and-White.
The D40 also features an image Retouch menu, with exclusive in-camera editing functions that promise to keep D40 shooters engaged when they're not busy shooting. Options within the Retouch menu include:

  • D-Lighting: Automatically balances underexposed portions of an image to enhance detail in these areas, without affecting the highlights of the picture.
  • In-camera Red-eye Correction: Automatically removes the annoying red-eye effect sometimes caused by flash.
  • Trim: Images can be trimmed to produce smaller cropped versions of any file on the SD card for greater creative freedom and greater efficiency.
  • Image Overlay: Merges a pair of selected RAW files to create a composite image within the camera as a RAW or JPEG file. This feature is especially useful when trying to create a soft-focus effect with two similar images.
  • Monochrome settings: Convert any color image in the camera into a pleasing monochromatic picture, either in black-and-white, sepia or cyanotype.
  • Filter Effects: Emulate and apply the effects of a skylight or a warming filter to any image stored on the SD card. A Color Balance menu within filter effects can also be used to make subtle shifts in color.
  • Small Picture: Create a smaller version of any image in the camera for easy sharing and faster download.

Access to wide range accessories

One of the key advantages Nikon digital SLR cameras offer is access to Nikon's extensive system of lenses, Speedlights and accessories.

The D40 is compatible with all Nikon AF-S and AF-I Nikkor lenses*, and comes packaged with a new 3X zoom 18-55mm f/3.5-5.6G ED II AF-S DX Zoom-Nikkor lens that incorporates cutting-edge Nikon optical technologies, such as ED glass and aspherical lens elements. This lens offers users a popular 3x zoom range, which conveniently covers picture angles that meet the needs of everything from tight portraits to wide-angle landscapes.

The D40 is also compatible with Nikon's range of i-TTL technology enabled Speedlights including the SB-800, the SB-600 and the new Speedlight SB-400. A perfect companion for the D40, the SB-400 is an ultra-compact, lightweight Speedlight which is ideal for photographing subjects at extended distances or illuminating subjects with a softer, more natural appearing lighting effect with its bounce flash capability. With a guide number of over 98 feet the SB-400 provides all of the power and coverage that a D40 customer may demand for shooting group shots and reducing harsh shadows. All of the SB-400's settings can be controlled automatically by the camera's metering system or manually from the camera's built-in menus. Keeping with the D40s remarkable ease-of-use, using the SB 400 Speedlight is as simple as sliding it on, turning it on and shooting.

The D40 comes with Nikon's PictureProject software that makes transferring, organizing and sharing images fun and easy. The camera also includes a 30-day trial version for Capture NX software (optional), Nikon's award-winning software that dramatically simplifies photo editing for JPEG, TIFF and Nikon RAW (NEF) format images. Designed specifically for photographers, Capture NX software provides a unique and easy-to-understand interface with tools that photographers need, but without the level of complexity and clutter of other image editing applications. Its patented new U Point™ technology simplifies picture editing by enabling photographers to enhance specific areas of a picture selectively, without the use of masks, selections, or layers. Capture NX also helps Nikon users realize the full potential of Nikon's RAW (NEF) file, with robust processing capabilities for the highest quality results from NEF files.

The D40 camera and the new 18-55mm f/3.5-5.6G ED II AF-S DX Zoom-Nikkor lens will be packaged together and made available beginning December 2006 for an estimated selling price of $599.95**.

*Autofocus is supported only with AF-S and AF-I CPU lenses, which are equipped with built-in motors. **Estimated selling prices listed are only an estimate. Actual prices are set by dealers and are subject to change at any time.

www.nikonusa.com
Image source: (c) 2006 - Nikon - All rights reserved

November 15, 2006

Agfa Graphics at Print World 2006

vf
Agfa Graphics Booth to Feature Latest Technology Innovations in Chemistry-free CtP, Enterprise Software and Workflow Software
Agfa Graphics announced today attendees at the Print World 2006 event in Toronto, Ontario (Canada) will be able to see interactive demonstrations of the latest in enterprise software, workflow software innovations and chemistry-free CtP at the company’s booth (#750). The popular chem-free :Azura plate--designed specifically for low- to medium-volume commercial printers--is being demonstrated alongside Agfa’s latest versions of its award-winning :ApogeeX 3.5 workflow and :Delano 2.6 project management software.
We encourage printers across Canada, who have not been able to experience how easy ThermoFuse technology is, or how Agfa’s advanced enterprise and workflow solutions can bring more efficient automation and efficiency to their facility, to visit our booth at Print World,” said Jack Baraczek, director, Agfa Graphics Canada. With more than 1000 users worldwide, :Azura is a thermal, negative working plate. With Agfa’s patented ThermoFuse™ technology simplifying platemaking and removing all processing variables, :Azura provides reliable and stress-free CtP imaging without chemistry.
“Agfa’s :Azura has helped increase our production at an astounding rate of about 40 percent, and that has changed the way we do business, in a very positive way,” said on Ron Wood, general manager of Christian Press (Winnipeg, Manitoba, Canada). “In addition, being chemistry-free, it has much less of an impact on the environment, and that’s something that is very important to us.
”ThermoFuse is also available in Agfa’s low-chemistry thermal :Amigo plate. The patented ThermoFuse technology uses millions of individual, heat-sensitive thermoplastic pearls that are melted and fused together to form a firm bond to the substrate in its exposed areas.
:Delano 2.6 features greater softproofing capabilities, making it possible to build a full project management suite. With options such as :Delano StreamProof, users can proofread, mark-up and approve high-resolution production files in a standard web browser in real time. Additionally, :Delano 2.6 brings new features for extended JDF (Job Definition Format) connectivity.
:ApogeeX 3.5 offers new connectivity and automation enhancements and several new options, resulting in increased efficiencies in The Graphic Enterprise. :ApogeeX 3.5 also features more JDF and JMF (Job Messaging Format) functionality than previous versions. With these enhancements, prepress departments gain additional automation functionality and throughput across the entire system.
Print World is being held at the Direct Energy Centre (formerly known as National Trade Centre), Exhibition Place in downtown Toronto, November 18-20 2006
Agfa Graphics - Press release - 15.11.2006

November 10, 2006

ArtRage Free version 2.2 Released

Ambient Design has released an update to the Free version of ArtRage, their natural painting software. ArtRage 2.2 Free version is available for Windows XP/2K and Vista users, and a Universal Binary is available for Mac OSX users for both Intel and PowerPC. ArtRage 2.2 Free version has been released in English, French, and German language versions. ArtRage 2.2 Free adds many new features and improvements. Here are some of the most important changes:
- Mac OS X Universal Binary: ArtRage 2.2 Free for OS X is now a Universal binary for PPC and Intel Macs. It will run on OS X version 10.3.9 or higher.
- Felt Pen Options: All the settings for the pen tool have been made available. With control over pen softness and wetness, and the ability to use the Art Pen option for opaque lighter colors the pen tool becomes a powerful artistic tool.
- Magnified Precise Cursor: The precise cursor has an option to be bigger and more visible.
- Color Sampler options: The Color Sampler tool can sample paint with lighting applied or the pure colour of the paint.
- TabletPC Numeric Entry: When entering handwritten numbers into text-entry boxes using the TabletPC input panel, the handwriting is more likely to be recognized as numerics, rather than alphabetic characters.
- PTG File Thumbnails: Your painting files are now given thumbnails in your OS. On Windows, a Shell extension (downloadable separately) gives thumbnails of ArtRage paintings inside Windows Explorer when the view mode is ‘Thumbnails’. On MacOSX a custom icon displays the painting contents in the file browsers. Many other features, updates and bug-fixes!
To download ArtRage 2.2 Free Edition: Go to the ArtRage Downloads Page:
ambientdesign.com/artragedown.html.
ArtRage 2.2 Free version is entirely free with no adware, no spyware, no malware of any sort. ArtRage 2.2 Free has no time limitations or any other limitations on works produced with it. ArtRage 2.2 Free version has a subset of the features of ArtRage 2.2 Full version with some features of the Full version disabled.

November 8, 2006

Zan Jbai, Disappearance - Galerie Bertrand & Gruner, Genève

Exposition : Zan Jbai, Disappearance
Galerie Bertrand & Gruner, Genève
9 novembre 2006 - 20 janvier 2007 


ZAN JBAI 
Courtesy Galerie Bertrand & Gruner, Genève


La galerie Bertrand & Gruner présente la première exposition personnelle en Europe de ZAN JBAI. L’exposition DISAPPEARANCE comprend des peintures sur toile réalisées ces deux dernières années.

L'artiste ZAN JBAI est né en 1980 à Yin, en Chine. Actuellement, il vit et travaille à Paris.

L’image de Zan Jbai ne se découvre qu’après une observation attentive de ses toiles blanches. L’apparition progressive de portraits de jeunes filles, de groupes de personnes ou encore de nageurs donne une impression de relief à son oeuvre picturale, tout en laissant  imaginer des formes presque inexistantes.

Zan Jbai refuse l’exotisme de ses contemporains chinois. Il nous invite plutôt à rêver avec ses nuances de blancs, qui donnent douceur et profondeur à ses peintures figuratives.  Le sujet n’est qu’une représentation de la vie, sans références historiques, politiques ou sociales, note la galerie Bertrand et Gruner.

Un catalogue sera publié à cette occasion.

GALERIE BERTRAND & GRUNER 
16, rue du Simplon
1207 GENEVE - SUISSE

www.bertrand-gruner.com